April 15, 2013
RE: recent watchings

finally saw the avengers. it was okay. too long, too much s.h.i.e.l.d. stuff. hawkeye was so undeveloped it hardly seemed worth including him, black widow wasn’t much better. i find whedon’s tony tends to trip over the fine line btwn eccentric and annoying hyperglib jerk. he (and ruffalo) did do a great job on banner, tho.

saw killer joe; well made i suppose—certainly well acted—but nastier than i care much to watch. (“long scenes of brutality” (whether physical or psychological) movies aren’t really my bag, especially when—as here—i can’t see any greater ends to it.)

saw spring breakers and am still not really sure what to make of it, i didn’t love it like so many people have, but i found it interesting for sure. i don’t think i “got” it though. i might end up seeing it again before it leaves theatres.

saw some kind of wonderful and sixteen candles; the former didn’t do much for me (i think bc i found eric stoltz kinda boring and wished masterson had been the main protagonist), the latter probably would’ve been fairly enjoyable if i hadn’t been so repulsed by the whole long duk dong thing (and i think other stuff was kinda gross too? can’t remember specifics; from the first gong noise on the attention invested declined rapidly).

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April 11, 2013
RE: yesterday

another driving lesson. he says i’m getting better, i still feel not very comfortable with it. still pretty shakey on turns; i put in too much gas or turn the wheel too much or don’t turn it fast enough.

played pool for the second time in my life. i like it, it feels like (and this is the exact opposite of what i don’t like about driving) something that i could not only learn to do but get confident with, with lots of practice maybe even good at. the bartender gave me a few bucks off a pitcher because i look like elijah wood and rory mcilroy.

new mountain dew rankings, as of the moment: 1. code red, 2. whiteout (those two are neck&neck), 3. voltage, and a distant 4. supernova. none of them are as good as regular dew. there’s a quality to whiteout (my friend pointed this out first time he had it) like the frozen glaze over the lime flavor when you have a fresh-out-the-freezer green popsicle. also, easter egg: if you swallow it in that way where it goes over your tongue and hits you straight in the back of your throat, there’s a nice, kind of sweeter note. supernova is way better once it’s gone flat, though.

(i think i’m going to see spring breakers tonight.)

April 9, 2013
bonus answer.

bonus answer.

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April 8, 2013

this was the best part of the third wheel—mostly because it was the end, mind, but still.

April 8, 2013
RE: driving

i have my driver’s license. i can drive, technically. before this past thursday i hadn’t driven at all since i passed the test almost two years ago, and otherwise i’d barely driven outside lessons and my first (failed, slightly) test. by the time i passed the test, i could drive, not well, but competently. i was never comfortable with a car. i was a late driver, didn’t start lessons until i was i think 18, after much coaxing. when i finally got around to it i didn’t take to it at all. i found driving very awkward, never achieved an ease. it never became automatic: every blind spot check, every turn-signal had to be very deliberate—i’d make a checklist in my head of actions to perform a block in advance of every turn, then they would nudge other actions i had to perform in the meantime out of my brain. i had to watch the speedometer closely and it seemed like i always ended up erring on one side or the other. i had a habit of drifting towards the curb, somehow without noticing as it was happening. and whenever i screwed up i would think about how i was piloting several tons of metal at however many kilometers per hour, and how any slight slip on my part could turn that into an awful weapon against whoever had the misfortune to be in the vicinity. and then the awkward would swell into nerve-wracking. i would feel safer and more in control with a gun than with a car. shortly after i got my license i was back to university again, where i didn’t have access to a car anyway, and then when i came home i just didn’t drive. things went back to pretty much how they were before. i took buses or asked for drives when i needed to get around. over time the unease congealed into something almost like a principle and when confronted i tried very very hard to maintain my non-driving status. but the geography here is not very forgiving in this regard. i live far enough from our sole “urban center” that i need a vehicle to get there, and we have severely limited public transit options. mom bugged me about it for months and it came to a point where i was exhausted and didn’t feel like it would be worth the fight to hold my ground, so i conceded to take some lessons. in my head i am framing it in a sort of “obliteration&reconstruction of self” narrative because i am ridiculous and find it easier to reconcile myself to total self-abasement than slight compromise. (also: i was lucky enough to stumble into a group of friends many of whom also do not drive, who made me feel okayer about not being able to drive, and now i feel like i’m leaving them behind somehow, like in marmaduke when marmaduke wins favor with the cool dogs and neglects the misfit dogs who were nice to him before he was cool and helped him get there—except i’m not a jerk like marmaduke (that dog is such a jerk), i’m just at the mercy of circumstance.)

so at the end of last week i took two lessons, 45 minutes each, one on thursday and one on friday, both at 2:00. my driving instructor, his name was blair i think, was a late-middle-aged guy with a mustache, shades, a denim jacket, cowboy boots and a big silver belt buckle. gruff, a little—grumbled in bursts about how poorly all the people around us are driving—but easy-going, which worked much better for me than my previous instructors, who tended to bark at me when i was too tentative (so, most of the time). we drove around downtown sydney and parked a few times. i was and am decent with road rules, but the mechanics of it—my body controlling the car’s—are still pretty difficult. the wheel and the gas feel way too sensitive. i trip from not enough straight into too much, and if i can find the midpoint it’s slippery; any slight change (a car in front of me driving a little erratically, for example) and i lose it. i’m, both intellectually and sort of physically, very aware of the size and weight of the car. it feels like it doesn’t have enough nuance of articulation for its mass. over the course of the two sessions (both individually and cumulatively) i got a bit more comfortable, but i think that was just rubbing the sleep out of my eyes from not having driven in so long. i mean, it wasn’t horrible—it wasn’t as bad as i expected (which i sort of expected)—and i still can drive. still not well, but i think i’m closer to an inconvenience than a hazard. i felt kind of okay about it i guess. i still can’t imagine ever wanting to own a car.

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April 8, 2013

it’s funny; when i first heard fever to tell—i think show your bones might have already been out by that time, but not for long if so—it did nothing for me. actually, it kind of got on my nerves; found the band little more than a  slapdash stage for karen o, found her histrionics and tics contrived. a little later i heard show your bones and really really liked it, i think eventually i softened on ftt a little. i was really into show your bones for a year or so, around first year of high school i think. now when i go back to them it’s almost a flip (which is unusual; generally if i found something contrived or pretentious in junior high the impression has only strengthened over time): i still really enjoy fever to tell, show your bones is okay but sounds like a rather calculated manoeuvre to get from, like, buzz band to festival-level “indie” band (which maybe was more of a gap back then?). i mean, i don’t think yeah yeah yeahs were ever a really great band, but they were the kind of band that you could get totally hyped on and want to tell all your friends about when you first heard them. i can still hear the fever to tell i didn’t like the first time—very new york cool, very punk-as-a-fashion—but with the next big thing buzz deflated by retrospect and the dust long since cleared, mostly i just hear a really tight little album with no great ambitions and lots of riffs&chutzpah. i find it sounds like the best (or most fun, anyhow) parts of the post-punk & garage revivals put together, carbonated and shaken up—karen, i suppose, being what happens when you take the cap off. i think i might like at least some of mosquito more than i thought i did at first (every time i listen to “mosquito” i nearly get sucked into “under the earth” again); probably not in a very durable way, but if i give myself up to it it might be good for a couple weeks—and i don’t mean that dismissively. an album i can really dig for a week>an album that is good for years but i only feel like listening to once a year or so, and i hear ten of the latter for one of the former.

April 5, 2013
RE: a small part of last night

when i’m drunk i have a habit of trying to light the wrong end of a cigarette. last night i actually smoked through the filter before realizing the error (it had seemed a particularly difficult light). i wish i could somehow make this a metaphor for my life.

April 4, 2013
RE: you get the sort of “critical” adoration you deserve i guess

(after proposing an alternate version of a pair of lines from “anyone lived in a pretty how town” in which words are entirely changed, as in replaced with words with dissimilar or opposed meanings) Their inappropriateness by contrast to Cummings’ lines is either self-evident or the reader is immune to magic.

what? what?!

April 3, 2013
RE: new yeah yeah yeahs

listened to mosquito today, out of curiosity more than anything. too much effects; most of the tracks are busy or washed out or both. i like the chorus of the title track. i like “these paths” because it sounds like someone took apart a Washed Out song and reconfigured it into some skeletal futuristic machine, probably in a lab like the one in i robot. “slave” is decently hooky, although it doesn’t much interest me.

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April 3, 2013
RE: recent readings/listenings/watchings

read the enormous room. it was okay; liked a lot of indivdual lines and images, but something about the general tone—and how it flowed (didn’t, quite). well, “flow” isn’t the word, i don’t think it was supposed to flow quite, but something about how the story moved…that cummings couldn’t strike a balance between the story and himself telling the story, something like that. something smug in his way of observance and telling. and then today i read i—six nonlectures and i actually find him kind of insufferable. jargonous Artist-as-Great-Individual shit. walks a very fine line between not-very-interesting autobiographical musings and grandpa on the soapbox. i’m not entirely sure what he was on about about homes, or “an epoch of interchangeable selves”, but it sounds like it would make less and less sense the more he tried to expound upon it. he sure has a big swollen grudge against some cloudy notion of “science”. his nostalgia for having servants does nothing to endear him either. still haven’t delved much into the poetry, will try to do that in the next while i guess.

listened to that new(ish) kilo kish ep. decent, but not particularly exciting. what i liked about her before (homeschool and especially “want you still”) was that kind of weird shambling-sparkling vibe; like someone who woke up a minute ago telling you about the dream they just had. found k+ sleepy rather than dreamy. i love this song a ton. i’m going to try to get into some more of the belle & sebastian discography in the next while, i got tigermilk and push barman, had previously only heard if you’re feeling and boy with the arab strap (the latter of which i re-listened to the other night and still quite like). that shimmer of guitar after the first verse of “the state i am in” is such a lovely sound.

saw g.i. joe: retaliation last night. i enjoyed it a fair bit but didn’t love it like i did rise of cobra. it was less light—which is not to say that it had any more weight, but it felt like it was trying harder to be a grown-up action movie. i liked the cartoony plot better than the video gamey action.

March 30, 2013

imathers:

…..(Special shout-out to the comic book store employee who asked my dad whether he was okay with me buying a mature-readers-only comic book when I was 14 or so, and a bigger one to my dad for taking the question seriously, asking the guy what kind of content it was, having a conversation with me about it, and saying yes. That is, on all sides, how it should work.)….

this post in general is great and i basically second it, but this reminded me of my own experiences with comic book stores as a kid so uh some stories about that i guess. in my experience comic book stores really are kind of like the android’s dungeon a lot of the time; the clerks are bored slothful/often contemptuous dudes, the only people who seem at ease are the obvious regulars. (another thing: i was always just a comics person, and growing up there were no comic shops in/around sydney, and whenever one opened up it was always one of those ones that leaned more towards games and hobbies than comics and i was like :() but every now and then you stumble upon a really great place, or even just a really great employee, and for me those experiences have been some of my best in any kind of store.

1) this was…toronto i think? i’m not sure how old i was. probably between 10 and 12 i guess. went to this small, kind of grimy comic shop. upon entering, clerk was sitting on a stool, and looked over with such stock-still indifference that it seemed almost pointed. continued as such the whole time until i came to the counter with a tpb of frank miller’s original daredevil run. dude’s eyes lit up and he told me about how he remembered reading this at my age and it blowing his mind, about how the tmnt were originally partly based upon that run (the foot!), and ended up scrawling a complete list of daredevil issues miller had written (including one stray, i guess between his original run and “born again”, that he had apparently dictated the script for over the phone when the usual writer had suddenly become unavailable). this hyped me up for it a ton and i indeed loved it. daredevil remains to this day my favorite miller work, by a long shot.

2) and this fits into the general story of strange adventures in halifax being the best comic shop ever, but anyhow, at one point i had set to collect all of the harry osborn issues of dematteis’s spectacular run (dematteis spectacular is awesome;have actually cried at #200) and as part of this i needed to pick up “the child within”. i had got, i think, all but one, maybe two, issues as a gift a while ago, and so the next time i was in halifax i went to strange and looked for the rest, couldn’t find them. the next time i was in, which was about a year later, strange’s ever-excellent dave h. came up to me and, having remembered this, actually brought in and gave me the remaining issues from his own collection. strange was really important to me as a kid into comics because none of my friends were and i had no one to geek out with, so every time i was in halifax i would talk the ears off the folks at strange to make up for lost time. the staff there are all excellent, super knowledgeable about and super into comics, really really helpful—everything you could want of the employees of any specialty shop. and they’re moving soon, which i am kind of sad about because the old location was this musty little hole in the wall in the absolute best way possible (the aroma of strange adventures makes me feel instantly at home), but apparently the new location is pretty nice too and i have total faith that these people will be awesome wherever they go.

(Source: youtube.com)

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March 27, 2013
RE: so

i decided to listen to wolf for some reason. it’s not as bad as goblin but nothing about it is particularly good and i’m pretty sure i will never want to listen to any of it again. “rusty” is the least exciting earl verse ever.

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March 26, 2013
RE: alex calder/movies coming out soon

have been listening to that new alex calder ep, i guess i like it. he’s got a great sound—reminds me of rainbows in hose-spray mist, or a stoner Real Estate—but the songs (“suki and me” and maybe “light leaves your eyes” excepted) don’t grab me. i’ve listened to it probably 4 times or so end to end and i still can’t remember how the songs go until i hear them.

g.i. joe: retaliation is coming out this week and i can’t fucking wait. i saw rise of cobra out of trainwreck curiosity and/or boredom and ended up loving it, i was really really pissed when this one got pushed back at the last minute. i think i’m going to rewatch rise of cobra with some friends this weekend and then see retaliation on tuesday. i also will probably see the new evil dead, just for the hell of it. the trailers looked kind of meh and the youtube reaction video montage tv spot didn’t give me much faith but i dunno, it might be okay, i’ll give it a chance. i’m going to see if i can find a torrent of spring breakers (there’s no way in hell it’ll play here) because i kind of want to see it but moreso because i want to be able to be in on the internet-wide conversation about it. i hate when people are saying things that look like they could be interesting about things that i haven’t seen/read/heard etc so i can’t really read them properly and then—especially w/tumblr—when/if i finally do see/read/hear/etc the thing i forget who was talking about it or can’t be bothered to dig through archives. i will probably have to torrent place beyond the pines also. from imdb and wikipedia it looks like to the wonder is getting a wide release, which would be cool but then again not a guarantee that we’d get it anyway, sometimes the theatre in sydney doesn’t get even wide release movies.

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March 26, 2013

someday maybe tumblr will make bandcamp embeds work on the dash, but in the meantime click that little box to listen to a really great song by a pop-punk band from the city i used to live in.

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March 25, 2013
RE: more ianahb2 listening notes

  • “IANAHB” is kind of a “Bastard” bite, no? I kind of like it though, I like the uneasy vibes. I like “make your bitch root for me like I grew her” but the absolute winner is “and last night I took a transformer / and had a dream that my dick turned to Megatron / but my girl, was sleeping with Decepticons”.
  • “I swear to God I ain’t nervous” has kind of a “doth protest too much” effect. I don’t know who Boo is but he sure is bland.
  • I like “try to bite my style but my style a jalapeno”. I guess “I go tape worm in that ho” was meant as a brag but it sounds repulsive. I love how 2 Chainz says “froggystyyyyyyyyyle” like it’s a total slam dunk punchline.
  • If anybody wants another “political” buzzstorm-in-a-teacup, they could maybe push “fuck a gun law” as the next “I’m a Republican voting for Mitt Romney”? Gudda Gudda is…well I’m not going to say good quite, but surprisingly decent.
  • ahahahahah the crazed yell behind the chorus after the first verse of “No Worries” (also every time Detail says “Mack Maine” I think he’s saying “Batman”)
  • “Back To You”…..doesn’t really work. “I miss you in the worst way / ride that dick no speed bumps”
  • “Trigger Finger” has a good beat, reminds me a bit of old Three 6 I think? In feel more than sound prob’ly. I definitely do like Soulja Boy’s weird not-really-a-verse.
  • I still find that organ-grindery chorus on “Beat The Shit” really really weird; don’t know that I like it much necessarily but every time I hear it I think “how the fuck did they come up with that?” so that’s worth something. Gunplay sounds so fucking great on that beat.
  • “Rich As Fuck”: 2nd “all rats gotta die, even _____” of the album—and he named an actual rat this time!
  • I wish “Bitches Love Me” was just a Future song. The video is kinda great in a ridiculous sorta way tho.
  • I like the murked-out vocal samples in “God Bless Amerika”, the guitar not so much.
  • oh no what is “Hello” doing ohh, no…wayne, man—no

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